Scottish Highlands, peat bogs, 2020 – thulhu thu thu, before the sun harms you: Timespan Arts Center, Helmsdale/Scotland 11.10.19-12.01.20; Symposium 10-12.1.20 knowbotiq with ira wilhelm, pablo alarcón guests: Lamin Fofana, Ayesha Hameed/Elvin Brandhi, Ashanti Harris, Eric Huntley, Pedro Neves Marques/Raw Forest, Fundaciòn Mareia, Margarida Mendes, Odete, Romy Rüegger, Belinda Zhawi curator: Sadie Young – thulhu […]
Genesis Machines – La Pompa Agricultura Transsubstantia */doing what is to be done clandestinely courtesy art collection City of Zurich Exhibition: Machines Like Us, Donau Festival Krems 2020, 24.4.-02.5.20 knowbotiq in collaboration with Odete (sound): Genesis Machines, indigo farming, 2020 Exhibition: Plant Revolution! Centro International das Artes João de Guimarães, 19.10.19-16.2.20 curated by Margarida […]
manYdancing mix by Lamin Fofana manYdancing the molecular ornaments re-assembles those body practices of the early 20th century with the crisis-like experiences of a present in which algorithmic governmentalities and biotechnologies fragmentize and molecularize the bodies. How to articulate current experiences of ornamentation, dissolution and abstract formlessness? Will parodistic, carnivalesque and ecstatic ghosts access our […]
The New Alphabet, Unlearning Places, HKW – Haus der Kulturen der Welt Berlin, 10-14 January 2019 (Foto: Aya Schamoni) Amazonian Flesh – how to hang in trees during strike?, HeK Basel 2020, Foto: Gina Folly Amazonian Flesh – how to hang in trees during strike? Interkultur Ruhr 23-25 November 2018 The New Alphabet, […]
./a collective resonance space, enacted by molecular prosthetic bodies haunted by the landscape of the former Lockstedter Lager, a military training camp, which was later a labour camp and camp for war refugees ./a spectral landscape fabulating on militarized bodies, on regulated sexual, ex- and imploding bodies, on ornamental mailaise, the mass and the seemingly […]
RAW FOREST, THE SECRET LIFE OF ALGORYTHM PLANTS the secret life of algorithmic plants The project intervenes performatively in the visual topology of the agricultural landscapes around Innsbruck (Thaurer fields). The huge Thaurer fields are covered widely by light- reflecting and weed scathing agriculture foils, similar like in South of Spain. Here at temperatures up […]
traumatized landscapes – abandoned coal mines clandestine performance at the entrance of a former coalmine collective performance with dancers commenting the traumatized coal mine landscape online cartography, activate link>>>> battle the landscape protocols of incommensurable landscapes a performative field of urban investigation in Mülheim […]
Brest (F), 1917 macghillie is roaming around, defying a goal, without intention, withdrawing from purpose, crossing the cybernetic loops. macghillie defies classification, attributions are shifted into the void, no will to communicate. recognition does not help. how long this can last in a postutopian space? are there moments for something that does not want to […]
SOULTRAIN as nothing to nobody (Joana Aderi) In constantly renewed combinations and variants, there are only three protagonists who appear in the ball room – the figure of the unrecognizable BlackGhillie, who in some cases assumes a portrait-like resemblance to the viewer, MacGhillie, and the anonymous “mob, clothes without heads”. The carousel of figures, props […]
“Wer war Albert Norden?”, Station Urbaner Kulturen, nGbK Berlin, kuratiert von Ina Wudtke 2015 videochannel link to videochannel the rasquache peripheries is a video channel to be published during the exhibition “Who was Alfred Norden?“. The clips and tracks of the channel articulate the political geography of a generic “ non-identitarian“ urban periphery. They explore […]
A NEWBORN sign was circulating through the media, i.e. New York Times, Syndey Morning Herald, BBC and Pravda, and had been made visible by hundreds of internet-postings in blogs, Flickr and Youtube. The media presence made the sign apparently hyperprecise and generic: One could get any information about the sign: Produced by […]