| knowbotiq (Yvonne Wilhelm, Christian Huebler) former: knowbotic research/together with Alexander Tuchacek, has participated in Documenta fifteen, 49th Venice Biennale (Austrian Pavillon) , Art Encounter Biennal Timisoara, Moscow Biennale, Seoul Biennale, Hongkong Shenzen Biennale, Biennale Rotterdam and exhibited in New Museum New York, Witte de With Rotterdam, MOCA Taipeh, Kunsthalle St. Gallen, Kunstmuseum Stuttgart, Skuc Gallery Ljubljana, NAMOC Beijing, Aarhus Kunstmuseum, Museum of Contemporary Art Helsinki, Hamburger Kunstverein, Henie Onstad Kunstsenter Oslo, Museum Ludwig Köln and has received major awards including: the Pax Art Award Basel (2019), the Swiss Art Award (2012), the Claasen Prize for Media Art and Photography, Cologne; the international ZKM Media-art award; August Seeling-Award of Wilhelm Lehmbruck Museum. knowbotiq holds a professorship at the MFA program, University of the Arts Zurich. |
|
| 2024 | “X Properties: The film series “, Neue Gesellschaft für bildende Kunst (nGbK), Berlin “Carbon as Energy, Life and Currency”, Sea World Culture & Arts Center, Shenzhen “When the Jackal leaves the sun”, Flutgraben Berlin Wuhan Biennale 2024 |
| 2023 | “Terra Libra”, Rijksmuseum Twenthe “Postscript of Silence”, McaM Shanghai “Gold and Mercury, you can find it when you face the sun”, Chronus Art Center, Shanghai “SHIFT, AI and a coming community” Kunstmuseum Stuttgart ” My Rhino is not a Myth”, Art Encounter Biennal Timisoara “Desert Realities”, Aktuelle Kunst in Graz -esc Medien Kunst Labor “SHIFT, AI and a coming community” MARTA Herford Swiss Art Award, Basel Kunstraum Lüneburg, Performance @ DGAE Konferenz, Transcultural media aesthetics |
| 2022 | “Compost Network“, 100 days of Documenta fifteen “Mining the Unconsciousness”, Helmhaus Zurich “Feedback, Mc Luhan and the Arts”, Fonderie Darling, Montreal “X Properties– De-/Financialisation of the City”, NGBK Berlin Situiert im Gobalen: Konflikte, Kosten, Atmosphären; Kunstuniversität Linz “The Driving Factor”, NGBK Berlin – Interventionen im öffentlichen Raum Brandenburg und Sachsen “Kunst fur diese Stadt”, Kunstankaeufe der Stadt Zuerich |
| 2021 | “We = Link: Sideways“, Chronus Art Center Shanghai “Remote Sensatiions”, Amazonia – Anthology as Cosmology, Culturescapes 21 Basel “Techno-shamanism”, HKMV Dortmund “Houses of Kal, a language where yesterday and tomorrow are the same word”, District Berlin “Seeing Into the Heart of Things: Earth and Equality Within Indigenous and Ancestral Knowledges”, Institut Kunst Basel “Machines like Us”, Donau Festival Austria “Postsensorium”, National Library of Latvia, RIXC Riga “Untooling”, ZHdK Zurich |
| 2020 | “Molecular Intimacies”, Timespan, Helmsdale Scotland “Architecture and Naturing Affairs”, ETH Zurich “Situations” Fotomuseum Wintherthur “Appearances”, Upstream Gallery Amsterdam “Molecular Fabulations”, HeK Basel, Pax Art Award 2020 “We=Link: Sideways“, A Chronus Art Center Shanghai “Plant Revolutution!”, Museo La Tertulia, Cali, Colombia “Unlikely Encounters”, Mas Arte Mas Accion, Quibdó, Colombia |
| 2019 | “The New Alphabet”, HKW Berlin « Feu Le Genre Humain?”, Centre Culturel Suisse Paris “Optimization and Its Miscontents: Counterpolitics of Surveillance Capitalism”, Transmediale Berlin “Pax Art Award Preview”, HEK Basel “The Atrato River Project”, Mas Arte Mas Accion, Colombia “Stadt als Fabrik” FFT Düsseldorf “Blue Skies”, Pact Zollverein Essen “Before the Sun harms You”, Timespan Helmsdale, Scotland “Plant Revolution!”, CCIAJG Guimarães |
| 2018 | “Amazonian Flesh”, UnCommon Grounds, Interkultur Ruhr und Schauspielhaus Dortmund “Rage against the Algorithm”, Display Gallery Prague “manYdancing the digital ornaments”, Archive Kabinett Berlin “Choreographic Unrest, editing room”, Archive Kabinett/District- Berlin “Eco-Visionaries”, HEK Basel “The Psychotropic Gold Refining”, Contemporary Art Center Plovdiv “Reconfiguring Anonymity”, Kampnagel Hamburg “oscillating at 40hz – vegetation young men became”, M1, Hohenlockstedt/hamburg, Arthur Boskamp Stiftung “School of Commons”, HKW Berlin “Dark Assemblages”, Lisboa |
| 2017 | “1948: Technosphere Unbound”, HKW Berlin “AFRO TECH and the Future of Re-Invention”, HMKV Dortmund “Amazonian Flesh”, UnCommon Grounds, Interkultur Ruhr “Passant souviens-toi, dit Sœurette”, La Médiathèque des Diasporas, Cotonou, Benin “Travels in Trans-sensoriality”, Lasalle College of the Arts, Singapore “Psychotropic Gold-Decanonizing University”, Art Program of 7th European Conference on African Studies, Basel “The PSYCHOTROPIC GOLD REFINING”, Corner College Zurich “DREXCIYA or becoming transparent, translucent, transmaterial; Salon Bastarde & OOR Zurich “Translating Pasts into Futures. Dekoloniale Perspektiven auf Dinge in Kunst, Design & Film”, HFBK Hamburg “Psychotropic Gold”, Valand Academy Gothenburg |
| 2016 | “The Secret Life of Algorithmic Plants”, Kultur :: Landschaft, Thaur-Innsbruck/Tirol “Visualität und Abstraktion”, HFBK Hamburg “b(l)ack dada”, Schweizer Landesmuseum Zürich “Vegetal Lives, Global Systems and the Politics of Planting”, Goldsmiths London “De-neutralize- Planter`s Obsessions”, Johann Jakobs Museum, Zurich “Ecologies of Existence”, Leuphana Lüneburg “Swiss Psychtropic Gold”; Draft Zurich “On the Division of Labour, Work, Knowledge, the Sensible, Spaces and Times”, Akademie Bildende Kunst, Wien “End!angered Species”, Wagenhalle Stuttgart “Hier. Zusammen. An den Grenzen. Auf der Reise”, Interkultur Ruhr |
| 2015 | “DRAFT”, Khanabadosh Bombay “S.O.S Dada – The World is A mess”, Salon Suisse, Venice Biennal, “Wer war Albert Norden?”, Station Urbaner Kulturen, Berlin “Passagen, Kunst im öffentlichen Raum Hamburg seit 1981”, Kunsthaus Hamburg Kunst im öffentlichen Raum, Kultur :: Landschaft,Tirol, “The Blackghillie Landscape, ooder was hat das ganze mit Barock zu tun?” “Bodenlos – Vilem Flusser und die Künste”, ZKM Karlsruhe und Akademie der Künste Berlin “Ästhetiken des Virtuellen”, HFBK Hamburg Strelka Institute Moscow |
| 2014 | “Why I Changed My Name To Marvin Gaye. Von Zuschreibungen und Entschreibungen”, Station 21, Zürich “imbued with soft infinities, On the Eventfulness of Assemblages”, Symposium, ZHDK Zürich |
| 2013 | Urbane Künste Ruhr / Ringlockschuppen Mülheim, “battle the landscape!” (knowbotiq) Kunst im öffentlichen Raum 2012, Kultur :: Landschaft,Tirol, “The MacGhillie Hall presents: training landscape” (knowbotiq) |
| 2012 | “Swiss Art Awards”, Art Basel, “dancing with/without Darwin” (knowbotiq) Substitut Berlin, “Act1 und Act2”, (knowbotiq) St. Moritz Art Master, “MacGhillie”, (knowbotiq) RIXC Festival, Riga, (knowbotic research) Cabaret Voltaire Zürich, “Al Dadaida: The Revolution to Smash Global Capitalism”, (knowbotiq) hmkv Dortmund, “Spektrale Begegnungen”, Labor Urbane Künste (knowbotiq) Konferenz “reART:the URBAN”, Zürich (knowbotiq) Ringlokschuppen Mülheim an der Ruhr , “Can´t you crawl to another town…”,knowbotiq) |
| 2011 | Moscow Biennale, “Dada Moscow”, (knowbotiq) Shedhalle Zürich, “connect”, (knowbotiq) IBA Labor Hamburg, “Verschiedene Ansichten teilen – Kunst in der Stadt” Institut für Gegenwartskunst, Zürich, “Radikal ambivalent. Engagement und Verantwortung in der visuellen Produktion heute” Museo Maga, Gallarte (I), “kotomisi (knowbotiq)” |
| 2010 | Folkwang Museum Essen, “hacking the city” , (knowbotiq) Shedhalle Zürich, “Überblendungen”, Edith Russ Haus Oldenburg, “My War – Identity and Appropriation under War Condition” U – Center for Art Dormund, “TRUST”, (knowbotiq) FACT Liverpool, “My War – Identity and Appropriation under War Condition” Kunstmuseum Kanton Thurgau, “Schritte ins Verborgene, Kunst und das Gemeimnisvolle”, (knowbotiq) Expodium Utrecht, “Mind the Bollocks!”, (knowbotiq) Tabakalera San Sebastian, “Silicon Dreams” Netherlands Institute for Media Art “huwwara _ anybody looking” plug-in Basel, “Beam Me Up” plug-in Basel, Performance huwwara_ anybody looking” Rietveld Academy, “Becoming Minority (conference)” (knowbotiq) Kunsthalle Zürich, “Medienkunst: Europa-China” (conf.), (knowbotiq) |
| 2009 | Architecture Biennal Rotterdam, (knowbotiq) Laboral Gijon, FEEDFORWARD – The Angel of History ARoS, Aarhus Kunstmuseum, Enter Action-Digital Art Now Kunsthaus Mürz, Glanz und Verderben Kunsttriennale Ludwigsburg Museumsquartier Wien, Freiraum Kunstpassanten Zürich, intervention Beam me up, online exhibition 09, xcult.org/beam.me.up/ |
| 2008 | NAMOC Beijing, “Synthetic Times” Kunsthof Zurich, intervention Cabaret Voltaire Zurich, performance Center of Contemporary art, Tenerife, “Surveillance and Control” Centre of Art La regenta, Las Palmas de Gran Canaria, “Surveillance and Control” Transmediale Berlin, “Conspire” WRO Art Center, Wroclaw , lecture Centre for Contemporary Art Laznia, Gdansk (PL), lecture Galerie 5020 Salzburg, lecture |
| 2007 | Hongkong Shenzen Biennal SHIFT Festival, Basel Gallery Curators without Borders Berlin, “INVISIBLE INVICIBLE” Kunsthalle Zurich, Conference/Workshop, Translocal Practices, DEAF-RO Theater, Rotterdam; “BlackBenzRace-Inauguration Parade”, intervention |
| 2006 | Skuc Gallery, Ljubiljana, “Room for Maneouvre”, solo exhibition Wilhelm Lehmbruck Museum, “Was ist Plastik? Das Jahrhundert moderner Skulptur” Wilhelm Lehmbruck Museum, “Designing the Truth” Akzente Duisburg, “PubliCity” “BlackBenz Race”, Zürich-Pristin, intervention |
| 2005 | Kunsthalle St. Gallen, “Mapping New Territories” Transmediale Berlin, “Naked Bandit v3.0” ICC Tokio, “Open Nature” Puls5 Zürich, “lateshift”, performance |
| 2004 | TENT, Witte de With Rotterdam, “Tracer” MOCA Taipeh, Taiwan “10 years SONAR”, Madrid ITAU Sao Paulo: ART.FICIAL EMOTION ArchiLAB Biennale, Orleans Ciberart Festival Bilbao, ‘Evident Traces’ |
| 2003 | Palacio Virreina, Instituto Cultura Barcelona, “El banquete” DEAF Rotterdam, Open Territories Shopping the virtual, Art Basel Ars Electronica, CODE Symposium Videotage Hongkong, MIMAR Lissabon Biennal, Mille Plateaux, lecture Third International Image and Electronic Arts Festival, Medellin “The Conquest of Ubiquity”, Murcia, net.exhibition Centro Cultural Conde Duque, Madrid |
| 2002 | Seoul Museum of Art, Seoul media art biennale, “Luna’s Flow” Le Fresnoy, Studio national des arts contemporains, “”Sans commune mesure”, web-project New Museum of Contemporary Art New York, “Open_Source_Art_Hacking”, installation Barcelona, HAMACA; “miralles”, web.project Alda Fendi Foundation Rome, “De Re Publica”, solo-exhibition Walker Art Center, Summer Lectures on Information and Architecture Austrian Cultural Forum New York, Symposium: “mediations: archaeologies and tranformations in the electronic sphere” Koelnischer Kunstverein, Cologne, performance lecture Urban Drift Conference, Berlin ELIA Conference, Dublin, European League of Institutes of the Arts New Museum, New York, panel on Open Source, Art Hacking Institute for Media Theory Basel, conference on netculture |
| 2001 | Fondation Beyerle, Basel “Abstraction and Ornament” Bauhaus Dessau,” Paradiese der Moderne” LISTE Basel, “anonymous databody muttering Borderhack 2.0; “Defining Lines, Breaking down borders”, online-exhibition Biennale for Architecture and Media, Graz, “Infospheres” Institute for Contemporary Arts, Praha, “Excavating the Future” Netherlands Architecture Institute, Rotterdam, “Transurbanism” Transmediale Berlin, “netbased participation and social software” Arteleku Bilbao, „cell culture“ Royal Institute of British Architects, London, “E_Futures” |
| 2000 | Kunst- und Ausstellungshalle Bonn, “Heute ist Morgen” Museum Ludwig, Köln, “Kunst mit Fotografie und und andere mediale Eskapaden” Kunstverein in Hamburg, “Aussendienst” Jan van Eyck Academy Maastricht, “What is enlightment?” Bauhaus Dessau ZKM Karlsruhe, “Sciences of the Interface” ISEA Paris |
| 1999 | Biennale Vendedig (Österr. Pavillon), “IO_lavoro immateriale” Wilhelm Lehmbruck Museum, “Connected Cities” ZKM Karlsruhe, “net_condition” |
| 1998 | DEAF 98, Rotterdam, “The Art of the Accident”) Arco Electronico,Madrid, “The best of the 2 Worlds” Ars Electronica, Linz, “Infowar” ” schau Vogel schau”, Leipzig Hamburger Woche der Bildenden Kunst, Umzug ins Offene BLAST, NY, artistic practice in the networks |
| 1997 | Steirischer Herbst Graz, on dis/place/ment Fabrica Europa, Florenz, Anonymous Muttering, Artlab Tokyo, I0-DENCIES Dokumenta Kassel, Konfigurationen zwischen Medien und Kunst; lecture Civic Gallery of Contemorary Art Torino, Shadows of the Networks |
| 1996 | Henie Onstad Kunstsenter Oslo, Electra |
| 1995 | Hamburger Kunstverein, Interface; Kunstraum Vienna, mobil.machung ARTEC Biennale, Nagoya City Museum; |
| 1994 |
Museum of Contemporary Art, Helsinki, ISEA; Karl- Ernst Osthaus Museum Hagen, Platons Höhle; |
-
Categories
-
-
Archives