Monthly Archives: May 2018

DREXCIYA or becoming transparent, translucent, transmaterial

    english version, sound mix: Lamin Fofana, featuring Drexciya’s “Cascading Celestial Giants”, Jeff Mills’ “Gravitational Lensing” german version DREXCIYA – Detroit Techno, Aquanauten und die Politik des Dancefloors, Künstlerhaus Dortmund | 27. Oktober 2017, 19:00 performative lecture with DJ-Set. Mit: DJ Dash, knowbotiq/Yvonne Wilhelm, Lamin Fofana & Zen Jefferson (photo: Anneke Dunkhase) knowbotiQ: «Drexciya […]

oscillating at 40hz – vegetation young men became

./a collective resonance space, enacted by molecular prosthetic bodies haunted by the landscape of the former Lockstedter Lager, a military training camp, which was later a labour camp and camp for war refugees ./a spectral landscape fabulating on militarized bodies, on regulated sexual, ex- and imploding bodies, on ornamental mailaise, the mass and the seemingly […]

The SECRET LIFE of Algorithmic Plants

RAW FOREST, THE SECRET LIFE OF ALGORYTHM PLANTS the secret life of algorithmic plants The project intervenes performatively in the visual topology of the agricultural landscapes around Innsbruck (Thaurer fields). The huge Thaurer fields are covered widely by light- reflecting and weed scathing agriculture foils, similar like in South of Spain. Here at temperatures up […]

„Needs must when the devil drives. (Molecular Desires )“

„Needs must when the devil drives. (Molechttps://archive.knowbotiq.net/wp-content/uploads/2011/04/angisa.jpgular Desires )“ Caribbean Angisa (Headscarf), digital print on canvas; 100 x 100 cm visual – flexible design tastaturen, – dashbuttons von amazon, – scetchup 3d modell eines logistikzentrums, – VR Brillen für Smartphones (verschiedene Modelle), – Lidschattenangebot der Firma MAC, – goldene tortenplatte alibaba.com, – siliconbrüste amazon, – […]

b(l)ack dada: drone nonperformance

b(l)ack dada: drone nonperformance DADA Universal, Landesmuseum Zürich, 3.3.2016, 19h live assemblage mit knowbotiq, dj fred hystère, teresa vittucci software: christoph stähli b(l)ack dada encounters the 100th anniversary of DADA Zurich with postcolonial and queer inscriptions into this historicized Avantgarde. Epistemic disobedience crosses the city`s festive repetition of the past, carnivalesque fugitivity strikes (neo)coloniality, confronts […]